Archive for Open Context Model of Learning

The Beatles Apple 1968

Posted in Beatles History, Open Context Model of Learning, White Album with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 27, 2010 by fred6368

The Beatles Creativity (5) ‘you say you want a Revolution?’

1968 is The Beatles’ most fascinating year, they had transformed music in terms of singles and albums but in 1968 they were aiming to transform the music industry by making their company Apple into a musical collective. Singles were no longer formulaic, melodic sing-a-longs designed to make to make money for the songwriters, producers, managers and record companies rather than the artists. Albums were no longer the accidental re-packaging of singles or merely fan souvenirs of live shows, as they had been when The Beatles started and remained throughout the sixties. In terms of this analysis of their creativity they had completed the three main stages of development; being guided, working collaboratively and breaking the rules by 1967. So what came next? 1968.  The magisterial Walter Everett said “the year of 1968 was a time of simultaneous rejuvenation and the dissolution of The Beatles.”

In We Are The Beatles I described the Beatles’ style as evolving from the musical creativity of their psychedelic period 1966-67 to a loose Atelier style, unconsciously aping the studio organisational form of Renaissance artists. By this I mean that they had learnt their craft and now, forced to run their own business, decided to try to create with Apple Corps the company they would liked to have signed for, and so began working with many other artists. Paul completed Step Inside Love with Cilla, George recorded the Inner Light with local musicians in India whilst recording his ‘Wonderwall‘ soundtrack John woke up one morning with the words of his ‘most perfect lyric’ flowing out like endless rain into a paper cup. It’s Across The Universe;   Continue reading

Beatles Albums 1964-65

Posted in Beatles History, Open Context Model of Learning with tags , , , , , , , , , , , , , , , on May 19, 2010 by fred6368

Beatles Creativity Phase Three; Album Artists

By the summer of 1964 The Beatles had used up all that their ears had taught them as an audience-responsive live band and recycled it back creatively as a pop singles machine. They had answered demands for a UK number one, an American number one, a movie theme tune, a classic rock n roll EP and had accidentally invented the modern rock album when they delivered the Hard Days Night soundtrack album with extra tracks, all written by Lennon and McCartney. The studious Beatles however were bored and Lennon entered his ‘fat Elvis’ period doubting the value of fame and “writing every day.”  And then Bob Dylan turned up. Bob Dylan had been blown away by the endless stream of Beatles hit records on the radio when he was driving across Colorado in the Spring of 1964 and their driving rock was to influence him and the rise of folk-rock. But the influence was mutual. George had bought Dylan’s second album Freewheelin’, played it constantly and persuaded Paul and John of its value. They met him at New York’s Delmonico’s on August 28th 1964 and Paul discovered the seven levels. Dylan’s immediate impact can be heard in John’s lyrics, tone and harmonica I’m A Loser; Continue reading