Archive for Cavern Club

Paul’s Bass

Posted in Paul McCartney with tags , , , , , , , , , , , , , , , , , , , , , , on February 13, 2011 by fred6368

Best Remasters (2)

The one single thing that most impressed me about the Remasters was Paul’s bass playing; it really was phenomenal stuff. Every song sounds richer than I remember even though I’d heard every Beatles song when they came out since Please Please Me. Fifty years ago this week The Beatles began their informal residency at the Cavern Club on Mathew Street in Liverpool. Whilst their breakthrough gig was at the Litherland Hall in December 1960 what characterised their early live sound was Pete Best’s bass drum booming out across the Cavern with Paul’s Bass. Here is their booming bass sound at the Star Club Hamburg with I Saw Her Standing There;

However I hadn’t really noticed the bass at all because of the poor sound equipment available in the sixties; tinny transistor radios and mono Dansettes. In fact the first time I became aware of Paul’s bass playing (videos on YouTube Playlist) was when Barry Gibb picked Paperback Writer as his favourite Beatles song because of the bass; Paperback Writer;

In researching this article I found a great discussion of the evolution of Paul’s Bass playing by Denis Alstrand. He picks up on Paul’s bass playing on their first recording Continue reading

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Beatles Live 1957-1963

Posted in Beatles History, Open Context Model of Learning, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 1, 2010 by fred6368

The Six Phases of Beatles Creativity (1) Outlier Outlaws

How did The Beatles come into existence, and how come they were so creative? Using the six phases of creativity identified on 9 after 909 I will use YouTube videos to try to explain this online. The first period I will look at,  1957-1963, is the same period as that identified by Malcolm Gladwell when The Beatles were Outliers, or unknown unknowns, and in the process of self-creation. The pre-Fab Four were such Outlaws that they had to travel to, and work in, Hamburg’s red light district to make their music during 1960-62, the most significant part of this time. Bob Spitz in The Beatles The Biography identifies the Litherland Hall Concert in Liverpool on December 27 1960, after the Beatles returned from Hamburg in black leather, as the point at which they became legends in their own backyard. Nice short film about Litherland made by their manager of the time Allan Williams. But even legends started small and The Beatles started as The Quarrymen. Here they are with Buddy Holly’s That’ll Be The Day Continue reading