Archive for all you need is love

Beatles Psychedelia 1966-67

Posted in Beatles History, Open Context Model of Learning with tags , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2010 by fred6368

Beatles Creativity (4) All You Need is Heutagogy

Being settled in London The Beatles had fed their creativity in 1964 & 65 with a series of collaborations with their musical peers. They were now rooted in London’s social life with Ringo’s legendary flat at 34 Montagu Square their main hangout outside of Abbey Road studio 2. London in the early sixties was exploding with the energy of new post-war ideas that revolted out of art schools into style, fashion and design. This was exemplified by Mary Quant, miniskirts, Bazaar, photography, magazines, beatniks, Viper skiffle, rock n roll, clubs, Coke, uppers, music and working-class cool. For the very first time, in the country that had invented trade unions, the working class were being celebrated for their cool rather than their militancy. Terence Stamp, Michael Caine, Duffy, Donovan and Bailey along with Twiggy and others were democratising the cultural industries. The Beatles took the next step which was to re-invent their own cultural industry, music, through the love they made with their creative use of their studio craft, collaborations (Martin’s arrangements & Geoff’s engineering), Paul’s music hall melodies, John’s performance art decision-making, Ringo’s rhythmic support, George’s ego-less experiments and new songs; psychedelia. Starting with a “song” so iconic even Dan Draper (Mad Men) listens to it. Tomorrow Never Knows  of course! There is a continuous YouTube Playlist of this post here. Continue reading

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We Are All Together

Posted in Magical Mystery Tour with tags , , , , , , , , , , , , , , on September 5, 2009 by fred6368

Magical Mystery Tour

The feeling in the UK in the winter of 66/67 was that the Beatles had split up as they hadn’t released a new album for just a few months and had quit tourung. Consequently George Martin made the mistake of releasing the single Strawberry Fields/Penny Lane in February 1967 to cover the gap, and so scuppered the idea of the new album being a story about Liverpool. Even so by the time Sgt Pepper was released the Beatles had already completed 6 more new songs, had a rough idea for Magical Mystery Tour, and the cartoon film Yellow Submarine in the works. Oh, and they released the single All You Need is Love a month after Sgt. Pepper.

Magical Mystery Tour, which will be an album in the 9/9/9 Remasters, was released in various forms at the time. I was given the UK double EP edition for Christmas, and it had very odd track sequencing, the three psychedelic tracks mixed up with the three “mumsy” tracks. The US album release not only included the recent, wonderful, singles and B-sides, but has a brilliant track sequencing which both make the magical “Mystery Tour” tracks flow and sets up the bonus tracks as musically logical consequences of them. John called it “one of my favourite albums because it is so wierd”. This time the Americans got a better deal and created this canonical version of the album, which my brother bought on import and always put a big sunny smile on our faces.

Opening with the bright and cheery Magical Mystery Tour, which almost made Sgt. Pepper and was consciously made to highlight the upcoming film, this is an amazingly upbeat opening track which, as is common practice on TV today, prefigures the sequences of the story. It only works as a set up though and is, in effect, the film’s overture. Continue reading