Archive for All Things Must Pass

George Harrison on the BBC

Posted in George Harrison with tags , , , , , on November 11, 2011 by fred6368

Living in the Material World

Martin Scorsese’s marvellous 2-part documentary on George Harrison, Living In The Material World, aired on the BBC in the Arena Arts documentary series. Part One, up until 1969, was on Saturday November 12th at 9.45 on BBC2. If you like The Beatles this is as good a documentary on their career as any film made so far, even Anthology, lasts for 95 minutes, and George is still a Beatle at the end of it.  

Living in the Material World Pt2; Showed on Sunday November 13th at 9.00pm because it is 2 hours and 5 minutes long and covers all of George’s solo career. I saw the show at FACT in Liverpool and was really impressed by Scorsese’s work in presenting old material afresh, getting original interviews and finding out-takes that had been missed or ignored. I reviewed it positively here, Continue reading

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Living in the Material World

Posted in George Harrison with tags , , , , , , , , , , , , , , on October 5, 2011 by fred6368

Martin does George a Treat

Martin Scorsese’s film about George Harrison, Living in the Material World, is a beautifully crafted confection of refreshingly unused archive footage alongside material that you know so well you’ve forgotten how to look at it. Scorsese grabs the material by the scruff of its visual neck and makes you marvel at it again; retelling afresh that wondrous tale about scouse upstarts from the provinces changing the world. It showed on HBO in the USA on October 5th & 6th, on BBC 2 Arena in the Autumn and has just been released on DVD and you should see it.

Just like No Direction Home(!) featuring Bob Dylan, Scorsese presents an old story using old material with intelligence and movie smarts, fired by his own passion for the music and personal affection for the protagonists. Allied with his long-established ability to create memorable musical documentaries, well he was a cameraman at Woodstock, he choreographs George’s own Last Waltz with skilful edits, unexpected links and new interviews. Scorsese has found unseen outtakes and previously rejected photographic stills, and links them to well-known clips of the Beatles where he often zooms in so tightly on them playing live that he creates a kind of grainy simulation of 3D, adding an unexpected immediacy to old stock. With both Harrison’s and the Beatles music digitally re-mastered he makes sure that the sound is fresh and loud, allowing him to present George Harrison to us anew, both visually and aurally, opening out fresh interpretations of the ‘quiet Beatle; quiet blunt apparently. 

Revealing interviews from Astrid Kirchherr, Klaus Voorman, Patti Boyd and especially Eric Clapton (“of course I wanted Continue reading