Archive for 1964

Act Naturally & Celluloid Beatles

Posted in Beatles in 12 Songs, Beatles50, Hard Day's Night with tags , , , , , , , , , , , , , on April 13, 2014 by fred6368

The Beatles in Twelve Songs (3)

Act Naturally? In the main they didn’t. The black leather boys from Hamburg were stuck in suits by Epstein, discovered in Transylvania for their cartoon identity, and peppered up in military Edwardiana for their day-glo re-invention as submarine alter-ego’s. And don’t even mention the milk-float Bondage of HELP! even though it did give us Act Naturally, the legendary B-side of the all our Yesterday single. They’re going to put The Beatles in the Movies

In the beginning, however, there was Hard Days Night. The kind of quick exploitation movie that sneaks out under the creative radar then transcends the sordid commercial origins in which it was brewed up, in this case by United Artists. As Stephen Denny put it “a low-budget exploitation movie to milk the latest brief musical craze for all it was worth.” UA wanted a quick exploitation picture starring The Beatles in order to get their hands on a Beatles soundtrack which they estimated would make them £1m. They offered a budget of £100k, later upgraded to £200k,and duly gave UA their soundtrack album and, fatally, the rights to 2 more Beatles movies. Although UA originally thought “our record division wants to get the soundtrack album to distribute in the States, and what we lose on the film we’ll get back on this disc” the film ending up taking $11m worldwide becoming tagged “the Citizen Kane of Jukebox movies” In 2013 Mojo rated it 8th out the top 100 music films of all time, with a song written specifically as an overture for the film – Hard Day’s Night

Ringo joined The Beatles  on August 14th 1962 on August 22nd they were filmed for the first time performing Some Other Guy in the Cavern in Liverpool by Leslie Whitehead, later to write the incredible How The Beatles Rocked The Kremlin. It’s an oft-bootlegged bit of film as it iconic, filmed the moment before the first Parlophone single but in the heart of their fanland; one of whom shouts “bring back Pete” at the end. Significantly Continue reading

Advertisements

I Want To Hold Your Hand & Going Global

Posted in Beatles in 12 Songs, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , on February 10, 2013 by fred6368

The Beatles in Twelve Songs (2)

It was 50 years go today that the Beatles taught America to play, with the biggest prime-time TV show audience ever (73 million viewers) on the Ed Sullivan show, February 9th 1964. In the UK I Want To Hold Your Hand had been the cherry on the cake of their annus mirabilis 1963 where it went to Number One in the charts by knocking off their own She Loves You, which had been in the Top 3 ever since it was released, and had just returned to the top after Beatlemania had gone national. In the USA I Want To Hold Your Hand popped a nations cherry and they laid down begging for the first British Invasion since 1812. This is how The Beatles woke them up and how America succumbed

Surprising huh? Quite a flat performance of a song tooled by McCartney to be a hit single written specifically to break the American market whilst he was living in the house of his girlfriend Jane Asher. Asher’s father was a Harley Street doctor, and her musical mum, Margaret Elliott, was a Professor at the Guildhall School of Music where she had taught producer George Martin the oboe. Frustrated by Capitol Records not promoting, or even releasing, early Beatles singles, manager Brian Epstein had asked Lennon and McCartney to write a song specifically to be a hit in the USA, and it was Paul who did. Jane’s brother Peter Asher was the first to hear the song, played on piano, as his room was opposite Paul’s  at 57 Wimpole Street London. This is what a made to order US hit record sounds like

Peter Asher’s bedroom proved to be amazingly strategically placed. He became good friends with McCartney, showing him round London and later became head of Apple Records, signing James Taylor with whom he Continue reading

The Beatles and Jimmy Saville

Posted in Beatles History with tags , , , , , , , , , , , , on November 8, 2011 by fred6368

Top of The Pops 

Top of the Pops was the premiere pop music show on British television during the sixties and seventies. It wasn’t as cool as Ready Steady Go, it wasn’t as prescient as Oh Boy, or as early as 6.5 Special. What gave it the premiere position was that it was on BBC TV at 7pm on a Thursday evening. If you were a fun-seeking popster, or teen, or adolescent, you no longer had to catch bands on odd programmes, like Crackerjack. Suddenly pop music was all bundled up in one place just as we started buying televisions as a nation. Most importantly of all it created passionate conversations in the school playground on a Friday morning and drove us to buy records right away!

Jimmy Saville, who has just passed away,  and is lying in state in a gold coffin, was a nutter from Leeds & the first DJ on the first BBC Top of The Pops on January 1st 1964.  It was broadcast from a converted church in Manchester (Rusholme) and, planned to last for 6 shows, ran for 40 years. Jimmy Saville was the King of Bling in the early sixties, arguably the first Brit DJ and just the shock jock to make Top of the Pops, based on his Teen & Twenty Disc Show on Radio Luxembourg a hit.  The BBC weren’t very committed to it, as Jimmy put it; “The BBC had a studio in Manchester [on Dickenson Road] which was a disused church and, anything they didn’t want to do in London, they slung up into this old church.” Even so the irrepressible Saville introduced the opening track to us ‘guys and gals’ and created a broadcasting phenomenon. Written by The Beatles, but played by the Rolling Stones, ironically the first ever song played on Top of The Pops was I Wanna Be Your Man; 

The Beatles and Top of the Pops; Continue reading

Beatles Albums 1964-65

Posted in Beatles History, Open Context Model of Learning with tags , , , , , , , , , , , , , , , on May 19, 2010 by fred6368

Beatles Creativity Phase Three; Album Artists

By the summer of 1964 The Beatles had used up all that their ears had taught them as an audience-responsive live band and recycled it back creatively as a pop singles machine. They had answered demands for a UK number one, an American number one, a movie theme tune, a classic rock n roll EP and had accidentally invented the modern rock album when they delivered the Hard Days Night soundtrack album with extra tracks, all written by Lennon and McCartney. The studious Beatles however were bored and Lennon entered his ‘fat Elvis’ period doubting the value of fame and “writing every day.”  And then Bob Dylan turned up. Bob Dylan had been blown away by the endless stream of Beatles hit records on the radio when he was driving across Colorado in the Spring of 1964 and their driving rock was to influence him and the rise of folk-rock. But the influence was mutual. George had bought Dylan’s second album Freewheelin’, played it constantly and persuaded Paul and John of its value. They met him at New York’s Delmonico’s on August 28th 1964 and Paul discovered the seven levels. Dylan’s immediate impact can be heard in John’s lyrics, tone and harmonica I’m A Loser; Continue reading

Beatles Singles 1962-64

Posted in Beatles History, Open Context Model of Learning with tags , , , , , , , , , , , , , , , , , on May 4, 2010 by fred6368

Beatles Creativity Phase Two; Singles Men

Trevor Horn, who in November 1963 was inspired to become a producer when he noticed the difference between the Beatles error-strewn live performance on the Royal Variety Show compared to the exuberant polish of their studio songs, observed that there is always one weak member of a group when it comes to recording; which is why he says he never recorded U2.  George Martin thought the same with Pete Best and, sadly, I think that Pete was a live rock n roll drummer and not cut out for the studio work supporting the song that Ringo delivered at Abbey Road; here are The Beatles trying to find their recording feet whilst auditioning with Pete Best on Love Me Do;   Continue reading