Archive for 1963

All You Need is Heutagogy

Posted in Open Context Model of Learning with tags , , , , , , , , , , , , , , on August 27, 2014 by fred6368

Beatles Creativity

I’ve just summarised the 6 blog posts on Beatles Creativity as a graphical slideshare called All You Need is Heutagogy

I think the Beatles Career went through 6 phases;

1. Live 1957-1963 From That’ll Be The Day;

Until Love Me Do

2. Singles 1963-1964 From Please Please Me;

to Hard Days Night Continue reading

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I Want To Hold Your Hand & Going Global

Posted in Beatles in 12 Songs, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , on February 10, 2013 by fred6368

The Beatles in Twelve Songs (2)

It was 50 years go today that the Beatles taught America to play, with the biggest prime-time TV show audience ever (73 million viewers) on the Ed Sullivan show, February 9th 1964. In the UK I Want To Hold Your Hand had been the cherry on the cake of their annus mirabilis 1963 where it went to Number One in the charts by knocking off their own She Loves You, which had been in the Top 3 ever since it was released, and had just returned to the top after Beatlemania had gone national. In the USA I Want To Hold Your Hand popped a nations cherry and they laid down begging for the first British Invasion since 1812. This is how The Beatles woke them up and how America succumbed

Surprising huh? Quite a flat performance of a song tooled by McCartney to be a hit single written specifically to break the American market whilst he was living in the house of his girlfriend Jane Asher. Asher’s father was a Harley Street doctor, and her musical mum, Margaret Elliott, was a Professor at the Guildhall School of Music where she had taught producer George Martin the oboe. Frustrated by Capitol Records not promoting, or even releasing, early Beatles singles, manager Brian Epstein had asked Lennon and McCartney to write a song specifically to be a hit in the USA, and it was Paul who did. Jane’s brother Peter Asher was the first to hear the song, played on piano, as his room was opposite Paul’s  at 57 Wimpole Street London. This is what a made to order US hit record sounds like

Peter Asher’s bedroom proved to be amazingly strategically placed. He became good friends with McCartney, showing him round London and later became head of Apple Records, signing James Taylor with whom he Continue reading

Please Please Me & MerseyBeat

Posted in Beatles in 12 Songs, Beatles50 with tags , , , , , , , , , , , , , , on January 11, 2013 by fred6368

The Beatles in Twelve Songs (1)

It was fifty years ago today that The Beatles released their first smash hit, the second official release on George Martin’s Parlophone label, Please Please Me. beatlesnumber1

In this series of blog posts, in honor of many Beatles 50th anniversaries throughout 2013, I will be writing a history of The Beatles in 12 songs. Through this I hope to capture and reflect all that they gave us musically and culturally.

Merry Crimble; In The Beatles first Christmas record for their fan club in 1963 John Lennon is asked what most pleased him about the year 1963 and he replies (50 secs in),  “it was a gear year for us, and it all happened really when Please Please Me became a number one hit”: .

In the UK the breakthrough single for the Beatles was Please Please Me, which, to my ears, was the first recording that captured a British Merseybeat sound. (More on Mersey Beat here) Originally an attempt by John to write a Roy Orbison song (the biggest selling artist in the UK in 1962)  it was considered by George Martin to be too slow. The Beatles speeded it up and finally offered George Martin a version in the exuberant tempo that we now expect to hear. Martin re-arranged it and so created both the version we love, along with the template for recording other Merseybeat artists, it certainly pleased George. “Gentlemen you have your first number one record” 

So how did The Beatles become so good at writing smash hit singles Continue reading

The Beatles and Jimmy Saville

Posted in Beatles History with tags , , , , , , , , , , , , on November 8, 2011 by fred6368

Top of The Pops 

Top of the Pops was the premiere pop music show on British television during the sixties and seventies. It wasn’t as cool as Ready Steady Go, it wasn’t as prescient as Oh Boy, or as early as 6.5 Special. What gave it the premiere position was that it was on BBC TV at 7pm on a Thursday evening. If you were a fun-seeking popster, or teen, or adolescent, you no longer had to catch bands on odd programmes, like Crackerjack. Suddenly pop music was all bundled up in one place just as we started buying televisions as a nation. Most importantly of all it created passionate conversations in the school playground on a Friday morning and drove us to buy records right away!

Jimmy Saville, who has just passed away,  and is lying in state in a gold coffin, was a nutter from Leeds & the first DJ on the first BBC Top of The Pops on January 1st 1964.  It was broadcast from a converted church in Manchester (Rusholme) and, planned to last for 6 shows, ran for 40 years. Jimmy Saville was the King of Bling in the early sixties, arguably the first Brit DJ and just the shock jock to make Top of the Pops, based on his Teen & Twenty Disc Show on Radio Luxembourg a hit.  The BBC weren’t very committed to it, as Jimmy put it; “The BBC had a studio in Manchester [on Dickenson Road] which was a disused church and, anything they didn’t want to do in London, they slung up into this old church.” Even so the irrepressible Saville introduced the opening track to us ‘guys and gals’ and created a broadcasting phenomenon. Written by The Beatles, but played by the Rolling Stones, ironically the first ever song played on Top of The Pops was I Wanna Be Your Man; 

The Beatles and Top of the Pops; Continue reading

Beatles Albums 1964-65

Posted in Beatles History, Open Context Model of Learning with tags , , , , , , , , , , , , , , , on May 19, 2010 by fred6368

Beatles Creativity Phase Three; Album Artists

By the summer of 1964 The Beatles had used up all that their ears had taught them as an audience-responsive live band and recycled it back creatively as a pop singles machine. They had answered demands for a UK number one, an American number one, a movie theme tune, a classic rock n roll EP and had accidentally invented the modern rock album when they delivered the Hard Days Night soundtrack album with extra tracks, all written by Lennon and McCartney. The studious Beatles however were bored and Lennon entered his ‘fat Elvis’ period doubting the value of fame and “writing every day.”  And then Bob Dylan turned up. Bob Dylan had been blown away by the endless stream of Beatles hit records on the radio when he was driving across Colorado in the Spring of 1964 and their driving rock was to influence him and the rise of folk-rock. But the influence was mutual. George had bought Dylan’s second album Freewheelin’, played it constantly and persuaded Paul and John of its value. They met him at New York’s Delmonico’s on August 28th 1964 and Paul discovered the seven levels. Dylan’s immediate impact can be heard in John’s lyrics, tone and harmonica I’m A Loser; Continue reading

Beatles Singles 1962-64

Posted in Beatles History, Open Context Model of Learning with tags , , , , , , , , , , , , , , , , , on May 4, 2010 by fred6368

Beatles Creativity Phase Two; Singles Men

Trevor Horn, who in November 1963 was inspired to become a producer when he noticed the difference between the Beatles error-strewn live performance on the Royal Variety Show compared to the exuberant polish of their studio songs, observed that there is always one weak member of a group when it comes to recording; which is why he says he never recorded U2.  George Martin thought the same with Pete Best and, sadly, I think that Pete was a live rock n roll drummer and not cut out for the studio work supporting the song that Ringo delivered at Abbey Road; here are The Beatles trying to find their recording feet whilst auditioning with Pete Best on Love Me Do;   Continue reading

Best 10 Remastered Tracks (2010)

Posted in remasters with tags , , , , , , , , , , , , , , , , , , , on March 29, 2010 by fred6368

Remasters Series (1)

As part of reviewing the Remasters (YouTube playlist here), I am going to pick the ten tracks I think benefit most from Remastering; lets call them the most interesting rather than the absolute best. I might enter into the Mono v Stereo debate but I am a stereo boy, having been given a Philips Stereo Player and Sgt Peppers for my 16th birthday, but there are some discussions out there. I will try and pick one track per album, which might mean more than ten tracks but… So do we start with 1-2-3-4, or Boys (which benefitted from the Capitol Remasters), the larynx-busting first take of Twist and Shout, or Please Please Me itself as it is less known in the US and still disputed as being The Beatles first UK number 1. No, it is I Saw Her Standing There as we have a good Mono Remaster video; at last the Beatles live show! 1-2-3-4; Continue reading